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Founder & Director: Arthur Houle
THE ROMANTIC ERA
Romantic period composers include Schubert, Mendelssohn, Schumann, Chopin, Liszt and Brahms. At their discretion, the judges may consider a composer such as Rachmaninoff either Romantic or Contemporary, so it may qualify a contestant for this award, the CONTEMPORARY WORK award, or -- conceivably -- both!
We encourage contestants to embellish and/or improvise when appropriate. See discussions under other prize categories.
See also: How Do I Teach Creativity? (Suggestions for Winning Strategies).
For repertory ideas see:
“Guide to the Pianist’s Repertoire” by Maurice Hinson: 1st edition, 1973, Indiana U. Press, ISBN 0-253-32700-8; 2nd edition, Indiana U. Press, call # ML 128 P3 H5 1987; 3rd edition due out in February, 2001. Check your local library, order from your favorite local bookstore, or click one of these:
CHOPIN - POET OF THE PIANO
Best book on how Chopin played and taught is Chopin: Pianist and Teacher As Seen by his Pupils, edited by Jean-Jacques Eigeldinger and translated by Naomi Shohet, Krysia Osostowicz, Roy Howat (ISBN 0-521-36709-3, 1988 Cambridge University Press).
Check your local library, order from your favorite local bookstore, or try one of these sites:
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Chopin was known to have improvised tastefully and discretely, particularly in his nocturnes, waltzes and mazurkas. The most instructive and stunning example is in the Wiener Urtext Edition of the Complete Nocturnes, Edited by Jan Ekier (UT 50065). See the Nocturne in E-Flat Major, Op. 9/2 with authentic Chopin variants. You can order this and other music from any music store. To purchase a copy of Arthur Houle’s Chopin Nocturnes CD (which includes the variant version of Op. 9/2 along with an alternate cadenza not shown in the Wiener Edition!), click here: http://www.albertson.edu/music/cd.htm |
For those who wish to do extensive, advanced Chopin research, the following book is also recommended:
Frédéric Chopin: A Guide to Research. By William Smialek. Guy A. Marco, General Editor. Garland Publishing, Inc., 2000. Hardcover, 191 pages; ISBN: 0-8153-2180-5.
Review by Arthur Houle
This is number fifty in a series of Resource Manuals on composers from Scarlatti to Bartók. Each presents selective, annotated lists of writings and compositions, biographical sketches, library resource suggestions, etc. Since the Chopin Guide is intentionally not exhaustive, I am tempted to recommend it more for students than scholars. Certainly it should be prized by serious students (one hopes they can afford the serious price, however). But this would be selling it short, for there is enough here to augment virtually anyone's research. Immediately upon perusing this book I enthusiastically sought out several cited articles. The guide is well organized and easy to use, with one exception. The discography lists CD recordings of all Chopin works ("not merely the most popular compositions"). This is appreciated, but because the listing is by performer only (not cross-referenced by pieces), it is somewhat tedious finding recordings of specific works.
Top Chopin researchers (Eigeldinger, Ekier, Hedley, Kallberg, Kiorpes, etc.) are well represented, though I was surprised at the complete omission of Sandra Rosenblum. While her main area of research is Classic period, she has, at the very least, written one of the best articles ever on Chopin pedaling (J. Musicological Research, '96, Vol. 16, pp. 41-61).
The section on editions does not mention Wiener Editions, notwithstanding the superlative scholarship (e.g., penciled changes by Chopin, often absent in Henle Editions). Upcoming Peters Editions may surpass everything now noted.
These are small reservations, however; a limited guide cannot include everything and must make choices that will not fully satisfy everyone. This superb reference is, like any selective compendium, merely a starting point for research. But it will point you in enough directions to get you just about anywhere and everywhere on the subject of Chopin.
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Chopin's "ideal" piano sounded quite different from today's grand. Perhaps the best period instrument recording is that of pianist Trevor Stephenson, whose instrument recreates the delicate crystalline sound of the piano in Chopin's day:
"Music of Frederic Chopin" CD
Trevor Stephenson, fortepiano
Available from:
Light & Shadow
5741 Forsythia Place
Madison, WI 53705
(608) 238-6092
e-mail: trevor@trevorstephenson.com
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Please note: All terms of this festival are contingent on fund-raising and subject to change.
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