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Founder
& Director: Arthur Houle
INFORMATION ABOUT THE FEMALE COMPOSITION PRIZE
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Any piano solo, or concerto
movement composition by a female composer -- in any
style, from any time period -- will be considered
for this award. We would also allow an original composition by the
contestant (assuming, of course, the contestant is female!).
An original composition would, of course, also qualify for the
“Best Original Composition” award.
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To find specific keyboard repertory by women composers,
consult:
“Guide
to the Pianist’s Repertoire” by Maurice
Hinson: 1st edition, 1973, Indiana U. Press, ISBN 0-253-32700-8; 2nd
edition, Indiana U. Press, call # ML 128 P3 H5 1987; 3rd edition
due out in February, 2001. Ask your librarian, order from
your favorite local bookstore, or try online:
http://www.music-matters.com/
For information about women composers, consult this
reference:
The Norton/Grove Dictionary of Women Composers,
ISBN 0-393-03487-9, 1995, McMillan Press Limited. Edited by
Julie Anne Sadie & Rhian Samuel.
Check your local library for this book, or you can order
by clicking here:
http://www.amazon.com/
Another excellent reference book you may find in your
library is:
The
International Encyclopedia of Women Composers in Two Volumes, 2nd
Edition by
Aaron I. Cohen.
A practical volume of piano music (intermediate to early
advanced) by various women composers:
“At
the Piano with Women Composers,” edited by Maurice
Hinson, 1990, Alfred Publications catalog #428. (A little “strategy”
thought: the Nocturne by Szymanowska in this volume
would qualify a contestant for the “FEMALE
COMPOSER” award, the “The Kawai America Award for
Best Performance of a Romantic Period Work” award, and
the “BEST PERFORMANCE OF A LYRICAL AND PREDOMINANTLY SLOW
WORK” award!!)
Alfred also publishes delightful intermediate level
music by Catherine Rollin (e.g., “Spotlight
on Classical Style; 4 Original Pieces in Classical Style for the
Intermediate Pianist,” Alfred catalog #6038).
More keyboard music by women composers:
“Women
composers: Music through the ages,” edited by
Martha Furman Schleifer and Sylvia Glickman:
---Vol 3, Composers Born 1700 to 1799:
Keyboard Music, published by GK Hall, 1998, ISBN 0-7838-1612-X
---Vol 6, Composers Born 1800-1899 :
Keyboard Music, published by GK Hall, 2000, ISBN 0-7838-8192-4
These volumes are very expensive, but
worth it if you can afford it! Or, ask your local librarian
(if they don’t have it, ask to get it by interlibrary loan),
or click here to purchase:
***** ($avings tip: see if
Amazon has used copies for sale!)
*****
To access the "Women Composers: A Bibliography of
Internet Resources" site, click here: http://library.music.indiana.edu/music_resources/women.html
______________________
Here are some notable female composers:
Dianne Goolkasian Rahbee
Dianne’s music is generally 20th/21st century in
style, but also quite accessible. It runs the gamut from
easier “teaching pieces” to wonderful
“showcase virtuosic” pieces that appeal to macho
teenage technique studs (e.g., “Sonata No.
1”). Her beautiful Chopinesque “Nocturne”
was featured in the March/April 1999 issue of Piano &
Keyboard magazine and would also qualify a contestant for
the “BEST PERFORMANCE OF A LYRICAL AND PREDOMINANTLY SLOW
WORK” award as well as the “BEST PERFORMANCE OF AN
IMPRESSIONISTIC OR CONTEMPORARY WORK IN ANY
STYLE!”
Several CDs of her music are available -- e.g.: - "Music
by Dianne Goolkasian-Rahbee"
Compositions are
performed by noted pianists Rebecca Raffaelli, Phyllis Alpert
Lehrer, Tanya Bartevyan, Elise Jackendoff, Deborah Yardley Beers, Ena
Bronstein Barton, and violinist Magdalena
Suchecka Richter.
To purchase this CD or inquire about Rahbee's piano
music and other CD's, contact Dianne Goolkasian Rahbee at:
Grdianne@aol.com
(617) 489-1848
45 Common St.
Belmont, MA 02478-3022
The complete piano works of Rahbee are, or will be, published
by:
The FJH Music Company
2525 Davie Road, Suite #360
Ft. Lauderdale, FL 33317-7424
800-262-8744
or
1-954-382-6061
fax: 954-382-3073
e-mail: sales@fjhmusic.com
www.fjhmusic.com
Or you can order her music from any music store.
Newly
published by Rahbee: -- "Modern Miniatures for Piano Solo. Volume 1;
Late Elementary/Intermediate," edited by Helen Marlais. FJH Music Co., Inc.
Other
compositions by Rahbee include the following (if not yet available from
FJH Music, please contact Rahbee directly):
ESSAY NO.
1 Op. 1 (1972 ) (L. Int.)
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Pictures Op. 3
(1980) (El.)
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Essays Op.
4 (1980) (Int.)
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Three Preludes Op. 5
(1980) (Int.)
(CD: T. Bartevyan,
pianist)
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Abstracts Op. 7
(1981) (Up. Int.)
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Expressions Op. 8
(1981) (Up. El.)
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Phantasie Variations
Op. 12 (1981) Advanced
(CD: Phyllis Alpert Lehrer, pianist)
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Fragments Op. 14
(1987) (Up. El.)
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Soliloquies Op. 17
(Int.)
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Seven Pieces Op. 18
(Int.)
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Intermezzi Op. 21
(1984) (Up. Int.)
(CD: E. Jackendoff, pianist)
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Sonata No.
1 Op. 25 (1986) (Adv.)
(CD: R. Raffaelli, pianist)
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Sketch Op.
29 (1988) (Also for Harp solo).
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Piano Sonata No. 2,
Op. 31 (1988) (Adv.)
(CD Seda 333 Lehrer, pianist)
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Nocturne Op. 32, No.
1 (1989) (Int.)
(CD: R. Raffaelli, pianist)
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Scherzino
Op. 32, No. 2 (1989) (Int.)
(CD: T. Bartevyan, pianist)
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Novellette Op. 34
(1989) (Up. Int.)
(CD: D. Yardley Beers, pianist)
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Sonatina
Op. 41 (19990) (Int.)
(CD: E. Jackendoff, pianist)
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Prelude Op. 54 "
Intchu?" (1992) (Up. Int.- Adv.)
(CD: E. Jackendoff, pianist)
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Prelude Op.
62 "Whim" (1994) (Int.)
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Three Preludes Op.
68 (1994) for Virginia Eskin (Adv.)
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Prelude Op. 69
"Twilight" (Intermediate)
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Selected Preludes
(Op. 4; Op. 18; Op. 46; Op. 62; Op. 69) (Int.)
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Seven Little Etudes
Op. 74 (Int.)
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Biography of
Goolkasian-Rahbee:
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Dianne Goolkasian-Rahbee was born in
Somerville, Massachusetts, February 9, 1938, and
began her early musical training as a pianist with Antoine Louis
Moeldner in Boston, and continued studying at Juilliard as a piano
major and at the Mozarteum in Salzburg, Austria playing chamber music.
She later studied piano privately with David Saperton in New York and
Lily Dumont, Russell Sherman, and Veronica Jochum in Boston.
At the age of 40, she began
concentrating more seriously at composing and has since produced a
large body of works for piano solo, orchestra, instrumental ensembles ,
percussion, and voice.
In 1985, she was elected President of
American Women Composers, Massachusetts Chapter and founded its annual
marathon. Her music has been performed in Argentina, Armenia, Austria,
Belgium, China, England, France, Germany, Hungary, Japan, Korea,
Macedonia, Poland, Russia, Scotland, Slovakia, Canada and throughout
the U.S. In 1993, her orchestral work “Tapestry No.
1, Proclamation” was recorded on CD with the Slovakian Radio
Orchestra, conducted by the late Robert Black, and is
available on the MMC Recording Label. Selected piano music
for students is published by Boston Music Company. As a first
generation Armenian-American whose father was a survivor of the
genocide, her music reflects a deep rooted ethnic background.
The strong influences of her first spoken language, Armenian, and the
folk music she grew up with, are important elements in her musical
language. Her early love for music was sparked by her
talented violinist mother.
Dianne Goolkasian-Rahbee teaches piano
privately at her home in Belmont, Massachusetts and gives lectures and
master classes internationally.
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__________________________
-----Another
terrific female composer is Marjorie
Burgess
Marjorie's CD, "The
Music of Marjorie Burgess" is available by contacting Dr. Houle.
Jazz, classical,
rag & gospel solo & collaborative compositions are
performed by pianists Arthur Houle, Del
Parkinson & Mark Lutton, cellists Sam
Smith & Sandy Kiefer, vocalists Marianne
Saunders, Mari Jo Tynon, Brian Ocock, & Leslie Holmes, and
xylophonist Mark Lutton.
Marjorie Burgess (1915 - 2005) was a versatile composer from
Massachusetts whose works often won critical
acclaim. Jazz, rag, gospel, folk, impressionistic, and
neo-baroque styles are represented in the CD.
Marjorie’s music is mostly at the intermediate
level. However, students can “jazz up”
and embellish considerably on many pieces -- the tunes are accessible
but nonetheless very sophisticated. A good example is her
gospel piece entitled “Halleluia!.”
You will note that Houle’s recording (on the CD, mentioned
above) is quite a bit “jazzed up” as compared to
the printed versions (published principally by Willis Music/Hal Leonard).
You may call Willis Music
Company toll free at 800-354-9799 or see below for online listings.
SHEET MUSIC BY MARJORIE BURGESS (for piano solo) is
available at your local music store or see online at Willis Music/Hal Leonard.
More listings of Majorie Burgess piano
music.
See also improvisation
tips by Marjorie Burgess
in her "A
Piano is for Playing."
(Strategy tip: a
contestant who does something like this would qualify, at the very
least, for the “FEMALE COMPOSER” award and
the Best Demonstrations of SPONTANEITY AND/OR IMPROVISATION IN A JAZZ,
POP OR RAG STYLE WORK” award!!)
Marjorie also has some unpublished
gems (some of which are on the CD mentioned above). One
terrific example (on the CD) is I’m
Growing Far From You," which is essentially a
fake chart. The CD has a cello/piano arrangement, but it is
originally for piano solo. If Marjorie’s
unpublished music interests you and you would like to get the music,
contact Dr.
Houle.
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Alex Shapiro has written three
solo piano works that might be of interest to students. Students could
feel free to play just a single movement from either the 3-movement
"Sonata for Piano," or the 5-movement "Piano Suite," if they don't wish
to attempt the entire work.
Below are the links:
"Intermezzo for Piano"
(this is an easy, intermediate level piece that runs 3 minutes):
http://www.alexshapiro.org/ASWorks.html#Intermezzo
"Piano Suite No. 1: The Resonance of Childhood"
(this is an advanced intermediate piece that runs about 12 minutes
total; it's made up of five short movements that can be played
modularly):
http://www.alexshapiro.org/ASWorks.html#PianoSuite
"Sonata for Piano"
(this is an advanced three movement piece that comes in around 15
minutes; the last movement is a minute and a half scherzo that is a
good show-piece):
http://www.alexshapiro.org/ASWorks.html#SonataforPiano
Prize strategy tip: the Intermezzo and the
fourth movement of the Piano Suite, titled "For My Father," would also
qualify in the category of "Best Performance of a Lyrical and
Predominantly Slow Work."
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Here are two advanced compositions by Marjorie
Rusche, followed by her descriptions:
PIANO PORTRAITS: NIGHTWATCH --
1. In Memorium 2. Bluesy Cantabile
is a 9 minute composition for solo piano, completed August 8, 2001.
- In Memorium portrays the struggle for life of a
patient in an intensive
care cardiac unit as well as the loved one's emotional fluctuations
during
the night vigil. Rolled cluster chords open the work. A nine-note row
motive
is then stated and repeated in varied from throughout the work. Rapid
cluster chord repetitions and arpeggios frame a calmer, more melodic and
tonal middle section. The movement ends quietly, with a varied lyrical
restatement of the first five notes of the row.
- Bluesy Cantabile is the calm after the storm,
the determination to go
ahead with life mixed with nostalgia. It opens with a melodic line
constructed from a D minor blues-inflected scale. The melody shifts to
the
left hand with chords added in the right, then is developed in a more
contrapuntal texture. The music then transforms into chordal passages
with
strongly stated expanded tertian harmonies which are then presented in
syncopation and stretto. Mirroring the process of the first movement's
ending, the second movement closes with a wistful and tranquilly subdued
restatement of the opening cantabile theme.
Requires an advanced player, this music contains
several virtuosic passages.
For a copy of the score, please contact:
Marjorie M. Rusche
4524 Hickory Road #3-C
Mishawaka, IN 46545
E-mail: mmrusche@aol.com
Tel: (574) 243-1615
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Another terrific composer is Melody Bober,
a contemporary composer who writes generally intermediate, catchy,
sophisticated and accessible music. Here is a list of her published
music:
FJH Collections (http://www.fjhmusic.com/):
Cyclone, Dynamic Duets Books 1 and 2, Folk Fantasies, Standing
Ovations, Romantic Rhapsodies, Traditional Hymns, Tunes in Transit,
From the Emerald Isle, The Best of Melody Bober books 1 and 2 and
Christmas Encores Books 1 & 2
FJH Sheets: Canyons and Waterfalls, Tokyo
Twilight, Summer Romance, Magnificent Monarch, A Reflection of Love,
Sleighride Fantasy, Rodeo Roundup, Black Cat Scherzo, Crystal Palace
Waltz, Daybreak in Dublin, A Sailor's Journey, Danse
Romantique, Morning Vista, Remember When, Sweet n' Sassy, Agent X,
Sundance Canyon, Lakeside Reverie, Midnight Rhapsody, Sonatina of the
High Seas, Fantasy on Londonderry Aire.
Willis Collections: Melody in Moonlight, Melody in
Action, Melody in Motion, Melody in Christmas, Melody in Seasons
Willis Sheets: Irish Suite, Country Frolic,
Escapade, Reflections of Autumn, Starlight Starbright, A Song for You,
Night Rider, Flight of the Eagle, Spring Rain, Roxanne's Waltz, Reverie
(duet), Skating by Starlight, Rhapsody, Dream Interlude, Hungarian
Dance, Loch Lomond, I Sing the Mighty Power of God
Lillenas (A Division of the Nazarene Publishing
House): Praise in Many Colors
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The music of Judith
Zaimont, Professor of
Composition at the University of Minnesota,
is profiled in the April 2003 issue of Clavier. Visit her web site at:
http://www.jzaimont.com
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Lola Perrin is a London based American composer and pianist; her website ( http://www.lolaperrin.com ) lists a number of compositions for piano.
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OTHER RESOURCES FOR FINDING MUSIC BY WOMEN
COMPOSERS:
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Please note:
All terms of this festival are contingent on fund-raising and subject
to change.
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